For me, curating is an extension of my artistic practice — another way of sculpting space, emotion, and dialogue. Each exhibition begins with a concept that resonates with our time and place, then unfolds through a thoughtful selection of works that speak to one another in visual and conceptual harmony.

From initial idea to final installation, I am involved in every step: developing the curatorial narrative, writing the exhibition statement, and orchestrating the museography — the physical language of the show. I consider light, distance, rhythm, and silence as carefully as when I am creating a sculpture. The result is an exhibition that feels not assembled, but composed — immersive, cohesive, and impeccably arranged.

Through my curatorial work at Gato Gordo Gallery and beyond, I continue to create spaces where artists and audiences meet in meaningful dialogue, and where art becomes an active part of community and conversation.